Vessels, by Paisley Rekdal

(image credit)

Shouldn’t it ache, this slit
into the sweet
and salt mix of  waters 

comprising the mussel,
its labial meats
winged open: yellow- 

fleshed, black and gray
around the tough
adductor? It hurts 

to imagine it, regardless
of the harvester’s
denials, swiveling 

his knife to make
the incision: one
dull cyst nicked 

from the oyster’s
mantle — its thread of red
gland no bigger 

than a seed
of  trout roe — pressed
inside the tendered 

flesh. Both hosts eased
open with a knife
(as if anything 

could be said to be eased
with a knife):
so that one pearl 

after another can be
harvested, polished,
added to others 

until a single rope is strung
on silk. Linked
by what you think 

is pain. Nothing
could be so roughly
handled and yet feel 

so little, your pity
turned into part of this
production: you 

with your small,
four-chambered heart,
shyness, hungers, envy: what 

could be so precious
you’d cleave
another to keep it 

close? Imagine
the weeks it takes to wind
nacre over the red 

seed placed at the other
heart’s mantle.
The mussel 

become what no one
wants to:
vessel, caisson, wounded 

into making us
the thing we want
to call beautiful.

Vessels, by Paisley Rekdal

Paisley Rekdal