Friday, November 22, 2013

Before Iftar (Part 2)


(image credit)
I moved to Dubai in August 2006, and one of the first things my friends told me, on my first Ramadan that year, was to be careful when driving home in the afternoon.  Muslims may be so hungry that they feel sluggish or irritable on the road.  Apparently there is an uptick of accidents during the holiday.

Two drivers jostle with their speeding cars –
One is apparently not happy with
The other's purposeful refusal to
Shift to the slower lanes and, what is more,
His dangerous tap on the brakes, forcing
The first as well to slam the brakes into
A screech as loud as his increasing rage.
The other driver speeds away, perhaps
Smug in his momentary satisfaction.
The first gives chase, and does his payback bit –
They weave from lane to lane, into the distance
Faster and smaller than the rest of us.
A few kilometers away, there is
An accident – thank God, the drivers look
To be just fine, and the police is there.
These two are not the drivers whom I saw
Before – so then I pray their tempers cool.
I pray, should any accident occur,
That God keep it a minor incident. 

Before Iftar (Part 2) © Ron Villejo

Wednesday, November 20, 2013

Before Iftar (Part 1)


(image credit)
Muslims around the world celebrate Ramadan, which is a very sacred, yearly holiday that lasts about 30 days.  Each day, from sunrise to sundown, they are not allowed to consume anything: no food, no water, no smoking etc.  Iftar is the breaking of the fast at sundown.

The man is wearing a red cap and shirt,
With yellow for his collar, and black pants.
He squats beside a bucket of the red
He wears, and carefully prepares for Iftar.
The tray upon the graveled ground is large,
Fit for a group of men ready to break
Their fast. For everything about him here –
The color of his clothes, the things he does –
Reflects the bounty of banana cut
For grateful bites and watermelon sliced
Meant for the tray and picked up with two hands.
The tray and his positioning let him
Be cradled in the bosom of the earth.

Before Iftar (Part 1) © Ron Villejo

Monday, November 18, 2013

Father and Daughter



I discovered this poignant short film on a friend's timeline on Facebook.  It's by Michaël Dudok de Wit, a Dutch animator, director and illustrator, and it won an Academy Award in 2000.  I was so moved by it that I wrote an inspired poem:

Against the sturdiness of trees is where
She leans her wish to never say ‘goodbye.’

The same roadway without a single car
Pays homage to the goings-on of life –

As simple and enduring as the grass,
Yet as evolving as that life itself.

That sameness of locale is anchoring
For hope, eternal as a girl who looks

– And always stops to look, despite the rain,
The snow, the wind, the calendar of loss –

For any sign of him, the sanctity
That proves that humankind is purposeful.

The shimmer from a sheet of melted snow.
The stiff headwind that tangle whips her hair.

The cold made meaningless by people whose
Lives go on, undeterred and simplified

As bicycles and overcoats and games.
The dry seabed is metaphor for skin.

The walk at dusk on sand is not tireless.
The boat marooned, part sunk into seabed,

Is welcoming when she becomes so tired
That she can only seek a dreamless sleep.

To fall atop the hill, then fall again.
In the interiors of enduring love,

She finds reversals of her age and loss –
Her heart jumps, startles to such countless beats.

His, too. She pauses, as he waits. She runs,
As seconds are an odd of fast and slow –

More like a scurry – to his inch – then stop.
That they will now believe the truth in this –

That they, whom circumstance may separate,
Are never separated for too long.

Father and Daughter © Ron Villejo

Friday, November 15, 2013

Sonnet 44, by NY Shakespeare Exchange


If the dull substance of my flesh were thought,
Injurious distance should not stop my way;
For then despite of space I would be brought,
From limits far remote where thou dost stay.
No matter then although my foot did stand
Upon the farthest earth removed from thee;
For nimble thought can jump both sea and land
As soon as think the place where he would be.
But ah! thought kills me that I am not thought,
To leap large lengths of miles when thou art gone,
But that so much of earth and water wrought
I must attend time's leisure with my moan,
Receiving nought by elements so slow
But heavy tears, badges of either's woe.
Sonnet 44, by William Shakespeare

Wednesday, November 13, 2013

Sonnet 8, by NY Shakespeare Exchange


Music to hear, why hear'st thou music sadly?
Sweets with sweets war not, joy delights in joy.
Why lovest thou that which thou receivest not gladly,
Or else receivest with pleasure thine annoy?
If the true concord of well-tuned sounds,
By unions married, do offend thine ear,
They do but sweetly chide thee, who confounds
In singleness the parts that thou shouldst bear.
Mark how one string, sweet husband to another,
Strikes each in each by mutual ordering,
Resembling sire and child and happy mother
Who all in one, one pleasing note do sing:
     Whose speechless song, being many, seeming one,
     Sings this to thee: 'thou single wilt prove none.'
Sonnet 8, by William Shakespeare

Monday, November 11, 2013

Sonnet 146, by NY Shakespeare Exchange


Poor soul, the centre of my sinful earth,
These rebel powers that thee array;
Why dost thou pine within and suffer dearth,
Painting thy outward walls so costly gay?
Why so large cost, having so short a lease,
Dost thou upon thy fading mansion spend?
Shall worms, inheritors of this excess,
Eat up thy charge? is this thy body's end?
Then soul, live thou upon thy servant's loss,
And let that pine to aggravate thy store;
Buy terms divine in selling hours of dross;
Within be fed, without be rich no more:
     So shalt thou feed on Death, that feeds on men,
     And Death once dead, there's no more dying then.
Sonnet 146, by William Shakespeare

Friday, November 8, 2013

Norroway in February, by Hannah Sanghee Park


Matador Luis Miguel Dominguin, painting by Pablo Picasso

Cristina Sanchez, bullfighter, photograph by Joséphine Douet

For surefooted step, hooves behoove the haver.
The sky redid blue, the woman wavered, 
and the black bull (the vanquisher), vanished.
She called out to nothing, and in vain shed 
tears until she reached the glass hill’s impasse.
Served her standard fairy tale penance, passim, 
served her seven to be given iron
shoes to — at last — scale the hill, the earned 
neared end. Each step conquered territory,
at last, the sleeping prince-once-bull, torrid tearing 
of clothes, tearing on one’s clothes, three nights of this
until the prince awakes. How she, exhausted, 
must have felt in the at long last, the ever after.
Happily, I guess, but a long time until laughter.
Norroway in February - The glassy hill I clomb for thee, by Hannah Sanghee Park.

Hannah Sanghee Park


Wednesday, November 6, 2013

Speak, by Phillip B. Williams


(image credit)
A storm and so a gift.
     Its swift approach
          lifts gravel from the road.
A fence is flattened in
     the course of   the storm’s
          worse attempt at language —
thunder’s umbrage. A tree
     is torn apart,
          blown upward through a bedroom
window. A boy winnows
     through the pile
          of shards for the sharpest parts
from the blown-apart
     glass. He has
          a bag that holds found edges
jagged as a stag’s
     horns or smooth as
          a single pane smashed into
smaller panes that he sticks
     his hand into
          to make blood web across
his ache-less skin flexing
     like fish gills
          O-lipped for a scream
it cannot make.
     He wants to feel
          what his friends have felt,
the slant of fear on their faces
     he could never
          recreate, his body configured
without pain. When his skin’s
     pouting welts
          don’t rake a whimper
from his mouth, he runs
     outside, arms up
          for the storm, aluminum
baseball bat held out
     to the sky
          until lightning with an electric
tongue makes his viscera
     luminescent;
          the boy’s first word for pain
     is the light’s
          new word for home.
Speak, by Phillip B. Williams

Phillip B. Williams

Monday, November 4, 2013

We Dare Dream Of


(image credit)
(image credit)
We Dare Dream Of © Ron Villejo

This is your time
This is your day
You've got it all
Don't blow it away.
From the Vanilla Sky soundtrack, by Paul McCartney.