Monday, September 30, 2013

Ulysses, by Alfred, Lord Tennyson


It little profits that an idle king,
By this still hearth, among these barren crags,
Matched with an agèd wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me. 
I cannot rest from travel: I will drink
Life to the lees: all times I have enjoyed
Greatly, have suffered greatly, both with those
That loved me, and alone; on shore, and when
Through scudding drifts the rainy Hyades
Vexed the dim sea: I am become a name;
For always roaming with a hungry heart
Much have I seen and known; cities of men
And manners, climates, councils, governments,
Myself not least, but honoured of them all;
And drunk delight of battle with my peers,
Far on the ringing plains of windy Troy.
I am a part of all that I have met;
Yet all experience is an arch wherethrough
Gleams that untravelled world, whose margin fades
For ever and for ever when I move.
How dull it is to pause, to make an end,
To rust unburnished, not to shine in use!
As though to breathe were life. Life piled on life
Were all too little, and of one to me
Little remains: but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this grey spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought. 
          This my son, mine own Telemachus,
To whom I leave the sceptre and the isle—
Well-loved of me, discerning to fulfil
This labour, by slow prudence to make mild
A rugged people, and through soft degrees
Subdue them to the useful and the good.
Most blameless is he, centred in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.   
          There lies the port; the vessel puffs her sail:
There gloom the dark broad seas. My mariners,
Souls that have toiled, and wrought, and thought with me—
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads—you and I are old;
Old age hath yet his honour and his toil;
Death closes all: but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks:
The long day wanes: the slow moon climbs: the deep
Moans round with many voices. Come, my friends,
'Tis not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down:
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew
Though much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven; that which we are, we are;
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
Ulysses, by Alfred, Lord Tennyson

Friday, September 27, 2013

What I'll Do If She Leaves Me, by Cutter Streeby


The Monk by the Sea, by Caspar David Friedrich
I’ll crash my ship into an island,
line my ceiling with its mast.
I’ll become a collector
of wine-bottle letters,
line my eco-friendly walls
with the glass. 
I’ll grow a philosopher’s beard,
expound on the sea.
I’ll transcribe every scripture
in a shell’s open mouth. 
I’ll romanticize my death
(in front of her of course)
and die fighting a loose Lidia bull
at 5 o’clock in white foam by the sea,
or perhaps my death will be
from anaphylactic shock,
stung to death by the last
roaming pack
of Africanized bees. 
Because surely I can’t
go on living?
Keep on walking
the gravel track to my work? 
I’ll have to find a pier;
surely, I’ll have to mix and pour concrete,
wait hours while it sets up,
dries around my feet; 
then I’ll slit each wrist
with a pearl-handled blade,
and fling my mer-tail to the sea— 
then, surely, 
surely, my last image will be
of my own blood ribboning
to nothing, unfolding
in heavy blues of the sea—
"What I'll Do If She Leaves Me," by Cutter Streeby.

Wednesday, September 25, 2013

The Doorman, by Margaret Langhans


(image credit)
Knock and it will be opened.
Ah, said gentle Francis,
fingering the keys of the kingdom
in the pocket of his white cassock.
That door is closed.
There is, of course, a separate entrance
for the so-precious ladies,
around the back,
near the shrine of the Madonna.
But that massive bronze door,
admittedly tarnished,
is closed.
"The Doorman," by teacher Margaret Langhans.

Last month The Los Angeles Times called for Opinion poetry by Times readers, and above was one of my favorites.

(image credit)
Who knew?

When we put out a call for Op-Ed poetry, we had no idea how many budding poets were out there. But by the time the Aug. 16 deadline rolled around, we'd gotten more than 1,500 submissions, many of them including multiple poems. There was even one, by E. Milton Wilson of Claremont, addressing the plight of the opinion editors: “The deadline nears. The poets have spoke. Editors wish about now it had all been a joke!”

Monday, September 23, 2013

Being Arab, by Hayan Charara


(image credit:  Waheed Nasir)
Not for your sake, but
mine, at airports and on planes
I act extra nice.
"Being Arab," by poet Hayan Charara.

Last month The Los Angeles Times called for Opinion poetry by Times readers, and above was one of my favorites.

(image credit)
Who knew?

When we put out a call for Op-Ed poetry, we had no idea how many budding poets were out there. But by the time the Aug. 16 deadline rolled around, we'd gotten more than 1,500 submissions, many of them including multiple poems. There was even one, by E. Milton Wilson of Claremont, addressing the plight of the opinion editors: “The deadline nears. The poets have spoke. Editors wish about now it had all been a joke!”

Friday, September 20, 2013

Climate of Sorrow, by Mary Monroe


(image credit)
Will our children
have those same
long sunburned
stretched out
moments of
immortality,

lying in the sun
thinking of nothing;

or have we
collapsed
the world
around them
with our
childish
fears?
"Climate of Sorrow," by poet, writer and playwright Mary Monroe

Last month The Los Angeles Times called for Opinion poetry by Times readers, and above was one of my favorites.

(image credit)
Who knew?

When we put out a call for Op-Ed poetry, we had no idea how many budding poets were out there. But by the time the Aug. 16 deadline rolled around, we'd gotten more than 1,500 submissions, many of them including multiple poems. There was even one, by E. Milton Wilson of Claremont, addressing the plight of the opinion editors: “The deadline nears. The poets have spoke. Editors wish about now it had all been a joke!”


Wednesday, September 11, 2013

Iron, While the Strike is Hot



"Iron, While the Strike is Hot" © Ron Villejo

In "A Poet's Reversals," I take common phrases in English, and play at turning them around and writing poetry on the new phrasings.  Why do so, you may ask.  For the fun of it.  For the poetic license.  

The original - strike, while the iron is hot - comes from the following:
This old proverb clearly alludes to the imagery of the blacksmith or farrier at his forge. If he delays in shaping the iron when it is hot a pliable the metal soon cools and hardens and the opportunity is lost.
The expression is recorded in Richard Edwards', The excellent comedie of two the moste faithfullest freendes, Damon and Pithias, circa 1566:
I haue plied the Haruest, and stroke when the Yron was hotte.

Monday, September 9, 2013

No Island is a Man



"No Island is a Man" © Ron Villejo

In "A Poet's Reversals," I take common phrases in English, and play at turning them around and writing poetry on the new phrasings.  Why do so, you may ask.  For the fun of it.  For the poetic license.  

The original - No man is an island - comes from John Donne's Meditations XVII:  Devotions upon Emergent Ocassions:   
No man is an island entire of itself; every man is a piece of the continent, a part of the main; if a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as any manner of thy friends or of thine own were; any man's death diminishes me, because I am involved in mankind. And therefore never send to know for whom the bell tolls; it tolls for thee.

Friday, September 6, 2013

Mind is a Garden



"Mind is a Garden" © Ron Villejo

Facebook, Google+ and Twitter are replete with inspiring quotes and messages.  On occasion I like to challenge ones like "Your Mind is a Garden."  

People may take up the utter simplicity of either growing flowers or growing weeds.  But in fact a garden harbors both, and while most homeowners do not care for the latter, weeds are part of a Sisyphus labor.

My poem is a philosophical musing and a metaphoric call for complexity.
  

Tuesday, September 3, 2013

Return of the Sonnet



© Ron Villejo

In the first handful of months in 2011, I wrote poetry as I were simply breathing.  I was an odd Midas.  It was as if anything I touched - saw, heard - immediately became poetry.  I wrote 479 poems by the end of April, to be perfectly exact.  

Then, the next four months, the number was zero.

Come September, my poetry stirred up again.  I had had a recursive, non-linear year, so far, and "Return of the Sonnet" heralded that stirring up.

As I conceptualized my recitation, my poem made me think of René Magritte.